Dr Horrible's Screen Culture Blog

(Note: An edited version of this post was previously submitted for my AFTRS Screen Culture course, Distribution Task, June 2010) 

In the ever changing marketplace of media consumption, one element has remained constant for over 50 years, the cinema. Cinema goers have been and still are having the cinematic experience down at their local art-house theatre or regional multiplex. Ticket prices have drastically increased, screens have grown in size, an extra visual dimension has been added and luxury food and seats are furnished for the viewer’s pleasure.

Despite all this, 2010 was a record year for cinematic attendances. Since 1998 the total number of tickets sold in the Domestic (and of course by domestic I refer to the United States) has largely unchanged, while box office intake has grown as prices have inflated. Yet amongst this, there is a belief that cinema is dying. Its the ageing distribution plan that is no longer applicable to today’s market. Indieflix unveiled an indie distribution plan at Cannes and more and more plans such as this are beginning to pop up as cinema, distribution and story evolve with the times.

Story Analysis: Serenity and the Verse

(Note: An edited version of this post was previously submitted for my AFTRS Screen Culture course, Story Task, April 2010)

A Space Western from 2005, I thought that Serenity would be an intriguing choice to compare against the Classical Hollywood narrative system. Furthermore, “Serenity” is an adaptation, as it spawns from the 'failed' television show “Firefly”, and thus felt it was suitable to look at considering today’s market.

Trailer for "Serenity"

A Space Western is a world which resembles the past, but where futuristic technology exists. Set 500 years in the future and yet focusing on the ‘frontier’ elements of society as Earth’s resources have since depleted, this is precisely what “Serenity” is. Specifically, it resembles the Westerns of the 60’s and 70’s, those that took a pessimistic view on society and often featured an anti-hero at its core. Thus “Serenity” has a World that lies deep in the root of the Classical Hollywood but as we will see it is what is created in that world that begins to clash with the Classical Hollywood narrative system.