Showing posts with label 90's cinema. Show all posts
Showing posts with label 90's cinema. Show all posts

Wednesday, January 25, 2012

Cinema on the Park Season 2 coming your way!

In what is clear self promotion, I am doing a short post about the film night I host in Sydney called Cinema on the Park. Its a free weekly Korean film night, so if you happen to read my blogs on Korean cinema and are based down under please try and come along. It would be great to develop the dialogue around Korean film in this country, something that has long been ignored.


It wasn't easy trying to encapsulate the many fascets of Korean film in 1 program, but I think we managed to do it. From art house directors Lee Chang-dong, Hong Sang-soo, Im Sang-soo and Kim Ki-duk, to the mainstream masters of Bong Joon-ho, Park Chan-wook, Kim Ji-woon, Na Hong-jin and Ryoo Seung-wan. From some of the most successful female directors in Im Soon-rye, Lee Jeong-hyang and Park Chan-ok, to those classic men that ruled in the early days before the Korean wave Kwak Kyung-taek and Kang Je-kyu. To a man who has lead Korean film in the Oceania region Park Ki-yong, to the most prominent Korean director ever, Im Kwon-taek, we have it all! And that's just the first half of the year!


Saturday, December 10, 2011

Jopok Week: 90's Korean Gangster Flicks

This entry was originally posted over at Modern Korean Cinema as part of the 2011 JOPOK blogathon week. I've replicated it here in case you missed it. Thanks again to Pierce Conran.

See other Jopok week reviews from various contributors:

Beat (1997)
The General's Son (1990)
The General's Son 2 (1991)
The General's Son 3 (1992)

No. 3 (1997)

Jopok Week: Born to Kill (1996)


I must admit, I probably approached Born to Kill (1996) in the wrong manner, one in which I thought it would be a good companion piece to Beat (1997) given their similarities.  After all, both films star Jung Woo-sung as an unstoppable fighting machine; are about gangsters; feature a leading love interest; are from the late 80’s and possess the style, music, and colour associated with the 80’s; and have titles beginning with the letter B.  At the end of the day, that is all they share in common.  Maybe it wasn’t fair to come in expecting something similar in quality to Beat.  Ultimately, Born to Kill is not as good a film and on a week celebrating Jopok, I recommend you stick to something else.